Old Bull Lee A Voice From the Reality-based Community Notes from a Study of Things Themselves |
Here's a collection of photos of well known paintings as they appear in some of the finest museums of the world. Its purpose is to give a viewer some sense of the physical size of the works, how they're framed and how they're hung. The photos aren't intended to be high-quality reproductions of iconic images, which can be found in books and elsewhere on the web.
Some issues associated with photographing paintings in public museums are discussed below the picture collection.
Artist | Title, Museum, Location, Date Viewed | Thumbnail (Click for larger image) | Comment |
Edgar Degas | Absinthe Musee d'Orsay, Paris May, 2008 |
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Thomas Eakins | The Champion Single Sculls (Max Schmitt in a Single Scull) Metropolitan, New York May, 2012 |
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Vincent Van Gogh | Self Portrait with Straw Hat Metropolitan, New York May, 2012 |
Other Van Gogh paintings are in the same room. | |
Vincent Van Gogh | Starry Night Museum of Modern Art, New York May, 2012 |
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Jasper Johns | Target with Four Faces Museum of Modern Art, New York May, 2012 |
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Fernand Leger | Three Women Museum of Modern Art, New York May, 2012 |
This work was displayed in the "Picasso to Warhol" exhibition at the High Museum, Atlanta, February, 2012.[1] | |
Emanuel Leutze | Washington Crossing the Delaware Metropolitan, New York May, 2012 |
It's huge. | |
Roy Lichtenstein | Girl with Ball Museum of Modern Art, New York May, 2012 |
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Edouard Manet | The Balcony Musee d'Orsay, Paris May, 2008 |
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Edouard Manet | Le Dejeuner sur l'Herbe Musee d'Orsay, Paris May, 2008 |
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Edouard Manet | Olympia Musee d'Orsay, Paris May, 2008 |
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Henri Matisse | Dance (I) Museum of Modern Art, New York May, 2012 |
This work was displayed in the "Picasso to Warhol" exhibition at the High Museum, Atlanta, February, 2012.[1] | |
Piet Mondrian | Broadway Boogie Woogie Museum of Modern Art, New York May, 2012 |
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Claude Monet | Water Lilies Museum of Modern Art, New York May, 2012 |
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Claude Monet | Le Dejeuner sur l'Herbe Musee d'Orsay, Paris May, 2008 |
Compare with painting of same title by Manet. | |
Claude Monet | Water Lillies Musee de Orangerie, Paris May, 2008 |
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Pablo Picasso | Les Demoiselles d'Avignon Museum of Modern Art, New York May, 2012 |
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Pablo Picasso | Girl Before a Mirror Museum of Modern Art, New York May, 2012 |
This work was displayed in the "Picasso to Warhol" exhibition at the High Museum, Atlanta, February, 2012.[1] | |
Pablo Picasso | Three Musicians Museum of Modern Art, New York May, 2012 |
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Jackson Pollock | One: Number 31, 1950 Museum of Modern Art, New York May, 2012 |
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John Singer Sargent | Madame X Metropolitan, New York May, 2012 |
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Andy Warhol | Mao Metropolitan, New York May, 2012 |
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James McNeill Whistler | Portrait in Gray and Black Musee d'Orsay, Paris May, 2008 |
Also known as "Whistler's Mother". | |
Andrew Wyeth | Christina's World Museum of Modern Art, New York May, 2012 |
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Problems Photographing Art in Public Museums. The main problem is that most art museums don't permit photography. Of those that do allow it, none that I'm aware of allows the flash. Picture quality is then dependent on the ambient lighting. If the light is low, the photo will be blurry.
Another problem is crowding. Popular works often have crowds around them, so it's hard to frame a shot giving an unobstructed view of a painting and its surroundings. (Note the extraneous finger in the photo of Picasso's Girl Before a Mirror.)
These problems were illustrated in a recent visit to the Museum of Modern Art in New York. At the time of that visit, the MOMA was hosting a multi-room Cindy Sherman exhibition, where photography wasn't permitted. Non-flash photography was, however, allowed elsewhere in this huge museum but the light level varied considerably from room to room.
One of the most popular paintings in the MOMA's permanent collection was Van Gogh's Starry Night, which is seen above. Around it was a persistent crowd, many members of which were clicking away with their smartphones and digital cameras. The light level in this room was marginal for non-flash photography and sometimes a flash would go off. This would prompt immediate intervention by a security guard, who'd lecture the offender about museum rules.
The ubiquity of smartphone cameras with good light sensitivity presents an enforcement problem for museum managers. The problem is most severe in museums that are frequently packed with visitors. I noticed some illegal picture-taking recently at the Guggenheim in New York and I've heard that such violations are now blatant at the Ufizzi in Florence. How can museums enforce their rules without creating a prison-like atmosphere for art lovers? I suspect they'll eventually give up and change the rules.
[1] Photography by the general public was not permitted at the High Museum's "Picasso to Warhol" exhibition. However, the rules may have been overlooked for a party on January 28, 2012.